CulturalInscribed 1985Jordan
About This Site
Built in the early 8th century, this exceptionally well-preserved desert castle was both a fortress with a garrison and a residence of the Umayyad caliphs. The most outstanding features of this small pleasure palace are the reception hall and the hammam, both richly decorated with figurative murals that reflect the secular art of the time.
Site Details
| Category | Cultural |
| Date Inscribed | 1985 |
| Area | 0 hectares |
| Cultural Criteria | c1, c3, c4 |
| Location | Jordan |
| Coordinates | 31.8018, 36.5873 |
Inscription Justification
Brief synthesis Built in the early 8th century beside the Wadi Butum, a seasonal watercourse, this desert establishment was both a fortress with a garrison and a residence/pleasure palace of the Umayyad caliphate. The exceptionally well-preserved, small pleasure palace comprises a reception hall and hammam (a bath complex with changing room, warm and hot rooms), all richly decorated with figurative murals that reflect the secular art of the time. The extensive fresco paintings of the bath building and reception hall are unique for Islamic architecture of the Umayyad period. The wall paintings show influences from classical pagan themes, Byzantine style portraits and hunting scenes, depictions of animals and birds, and are accompanied by inscriptions in Greek and Arabic. The representation of the zodiac on the domed ceiling of the caldarium (hot room) is one of the earliest known, surviving portrayals of a map of the heavens on a dome. The desert establishment, of which this pleasure palace forms part, was one of several created in the semi-arid area east of Amman for the purpose of interacting with the tribal region of the Wadi Butum. As such, Quseir Amra is an outstanding example of a particular type of architectural ensemble which relates specifically to the administrative strategy of the first Islamic caliphate. Criterion (i): The Quseir Amra paintings constitute a unique artistic achievement in the Umayyad Period. The extensive fresco paintings of the reception hall and bath building, in creating a place of relaxation for the Prince away from earthly cares, provides new insight to early Islamic art and its derivation from classical and Byzantine precedents. The zodiac dome, human portraits and depictions of animals and birds in the hunting scenes are found only in this early period of Islamic art. Criterion (iii): Quseir Amra bears exceptional testimony to the Umayyad civilization which was imbued with a pre-Islamic secular culture and whose austere religious…
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Sites inscribed in the 1980s
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- Buddhist Ruins of Takht-i-Bahi and Neighbouring City Remains at Sahr-i-Bahlol (1980, Pakistan)
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- Archaeological Ruins at Moenjodaro (1980, Pakistan)
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Data Source: UNESCO World Heritage Convention