The 'City of Caves', on an island in the Sea of Oman close to Mumbai, contains a collection of rock art linked to the cult of Shiva. Here, Indian art has found one of its most perfect expressions, particularly the huge high reliefs in the main cave.

Brief synthesis The Elephanta Caves are located in Western India on Elephanta Island (otherwise known as the Island of Gharapuri), which features two hillocks separated by a narrow valley. The small island is dotted with numerous ancient archaeological remains that are the sole testimonies to its rich cultural past. These archaeological remains reveal evidence of occupation from as early as the 2nd century BC. The rock-cut Elephanta Caves were constructed about the mid-5th to 6th centuries AD. The most important among the caves is the great Cave 1, which measures 39 metres from the front entrance to the back. In plan, this cave in the western hill closely resembles Dumar Lena cave at Ellora, in India. The main body of the cave, excluding the porticos on the three open sides and the back aisle, is 27 metres square and is supported by rows of six columns each. The 7-metre-high masterpiece “Sadashiva” dominates the entrance to Cave 1. The sculpture represents three aspects of Shiva: the Creator, the Preserver, and the Destroyer, identified, respectively, with Aghora or Bhairava (left half), Taptapurusha or Mahadeva (central full face), and Vamadeva or Uma (right half). Representations of Nataraja, Yogishvara, Andhakasuravadha, Ardhanarishwara, Kalyanasundaramurti, Gangadharamurti, and Ravanaanugrahamurti are also noteworthy for their forms, dimensions, themes, representations, content, alignment and execution. The layout of the caves, including the pillar components, the placement and division of the caves into different parts, and the provision of a sanctum or Garbhagriha of sarvatobhadra plan, are important developments in rock-cut architecture. The Elephanta Caves emerged from a long artistic tradition, but demonstrate refreshing innovation. The combination of aesthetic beauty and sculptural art, replete with respondent Rasas, reached an apogee at the Elephanta Caves. Hindu spiritualistic beliefs and symbology are finely utilized in the overall planning of the…